Discover and master the fundamentals of drawing with professional tips and expert instruction.Designed especially for aspiring artists, Beginning Drawing, the third title in Walter Foster's new
Bold Exciting Powerful A new level of artistic expression! Every artist strives to achieve the kind of painting that commands attention from across the room and delights the eye up close. In thisSee DetailsHow to Make Hand-Drawn Maps: A Creative Guide with Tips, Tricks, and Projects (Craft Books, Books for Artists, Creative Books)With wonderful examples and easy-to-follow instructions, this beautifully illustrated how-to book makes it simple and fun to create one-of-a-kind hand-drawn maps. Helpful templates, grids, and
Everyday Sketching and Drawing offers an easy-to follow, 5-step formula, which teaches beginner-friendly techniques for learning the skills necessary to make drawing and sketching an everyday habit.
A trick! I like comparing elements of the same length, just to make sure that everything is well proportioned as I draw. For example, the hands are about the size of the face; the feet are as long as the forearm.
How to Draw and Paint Anatomy, All New 2nd Edition is the complete artist's guide on how to draw the structures and forms of humans and animals in easy-to-follow steps. In this superb collection of human and animal anatomy workshops, the finest artists in the world share their essential figure-drawing techniques, to ensure that readers of all skill levels will create fantastic images every time. Art students, professional illustrators, and creative amateurs alike will find inspiration and encouragement to develop core skills and embrace innovative digital techniques.
This all-new second edition is filled to the bursting point with the best anatomy advice around. Every page is packed with easy-to-follow, step-by-step guidance on how to create better human and creature figures, written and illustrated by professionals. Essentially, it's years of art college training, distilled into one place!
Eight detailed workshops are devoted to drawing and painting the human body. They present easy ways to master the art of human anatomy, with practical advice from head to toe. You'll learn how to create basic forms, and improve figure drawings by establishing the underlying structure of the human body. Clear instructions are provided for depicting all of the most challenging areas, from feet, hands and torsos to legs, heads and arms.
Six more workshops provide practical guides to animal anatomy. Starting with the basic forms of beasts, they offer the building blocks for better animal art and creature design. The authors describe how to discern the shapes beneath skin and fur, revealing how the core of the animal body operates and how to use it to bring life to animal art. You'll discover what animal faces have in common with human faces, and the crucial ways in which they differ.
An accompanying CD supports the anatomy and painting workshops with the opportunity to get closer to the annotated sketches, watch videos of anatomy drawing in action, and examine high-resolution art files that illustrate how develop digital software skills.
Understanding anatomy is the foundation of great art, and this superb collection of workshops from some of the finest artists around the world will enable you to bring your art to life. Essentially, it is years of art school training distilled into one place!
How to Draw and Paint Anatomy, All New 2nd Edition is filled with the best anatomy drawing advice available. Every page is packed with easy-to-follow, step-by-step guidance on how to create better human and creature figures.
The accompanying online resources provides you with an opportunity to get closer to the annotated sketches and watch the drawing in action. Whether you need to pose a figure, get help with foreshortening, or brush up your skills on creating proportion, How to Draw and Paint Anatomy, All New 2nd edition will enable you to draw lifelike characters.
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Disney animator Ken Hultgren shares an approach to drawing animals that emphasizes the unique characteristics of all the major types of mammals. His style features action poses ranging from straight to cartoony. His pen-and-ink drawings are usually accompanied by a skeletal analysis to help students see the hidden structure. He never loses sight of the lines of action flowing through a pose, something that both realist painters and cartoonists can benefit from.
Bridgman's legendary figure drawing demonstrations at the Art Students League of New York have inspired generations of artists, from Norman Rockwell to Frank Frazetta. His dynamic, chunky form analysis reminds students of the big shapes and how they interlock with each other, which is easy to overlook when faced with the subtleties of the actual figure.
This is a useful reference book, dominated by large and carefully drawn plates. The animal kingdom is represented by a small number of familiar domesticated mammals: horse, dog, cow, and goat, together with a lion. Each animal is shown in neutral poses in side, top, and front views, with skeletal and muscular dissections for comparison.
This book is a good one to consult when one needs a reminder that not all trees look the same. Cole draws upon the Victorian tradition of close observation of nature, and he analyzes trees at the level of roots, branches, stems, blossoms, leaves, and foliage masses. The book transcends the limits of a botanical treatise by exploring artistic issues, such as the grouping of masses and the simplification of contours. The text is profusely illustrated with black-and-white explanatory drawings, as well as compositions by early masters.
The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist. 781b155fdc